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The post has been liked more than 700,000 times. Followers commended the poet for putting their feelings of grief, fear and anger into words. "Grateful for your words when words feel impossible ...
Better late than never; Better safe than sorry; Better to reign in hell than serve in heaven (John Milton, in Paradise Lost) [8] Be yourself; Better the Devil you know (than the Devil you do not) Better to have loved and lost than never to have loved at all; Better to light one candle than to curse the darkness
The conversation stream of the poem is constantly interrupted. [6] Dorn mixes the jargon of drug addicts, Westerners, and others to reflect the jumble of American speech. He seems to intentionally frustrate the reader; syntax is ambiguous, punctuation is sparse, and puns, homonyms, and nonsense words become an integral part of conversation.
Who has left the world better than he found it, Whether an improved poppy, a perfect poem, or a rescued soul; Who has never lacked appreciation of Earth's beauty or failed to express it;* Who has always looked for the best in others and given them the best he had; Whose life was an inspiration; Whose memory a benediction. —
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.
A decade later, with AI more prevalent than ever, Professor Bostrom has decided to explore what will happen if things go right; if AI is beneficial and succeeds in improving our lives without ...
There are so many ways to change. the world. The mechanic and miner, mail carrier, cashiers and clerks. Singers, farmers, and truckdrivers. I can see them. I imagine. their sore shoulders and ...
"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.