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[It's] a big song because it's about how people treat the earth, but it's also a small song because it's about how one living thing can feel stripped down and wrong for the world. In a way it's not so different from "I Just Wasn't Made for These Times." [2] According to Rieley, Brian Wilson and I had been talking a lot about the sorry state of ...
Because, you come to me, with naught save love, and hold my hand and lift mine eyes above, a wider world of hope and joy I see, because you come to me! Because you speak to me in accent sweet, I find the roses waking 'round my feet, and I am led through tears and joy to thee, because you speak to me! Because God made thee mine, I'll cherish thee!
"You Make Me Sick" is a song by American singer Pink for her debut studio album Can't Take Me Home (2000). It was written by Brainz Dimilo, Anthony President, and Mark Tabb, while production was helmed by Dimilo, President and Babyface .
The song was produced by Adrian Clark (a pseudonym for Dave Clark and Adrian Kerridge), and was originally the B-side to "Can't You See That She's Mine" in the UK. "Because" was released as a single in the United States and reached number three on the US Billboard Hot 100 chart. It also charted at number three in both Canada and New Zealand.
"Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a ...
He has no thoughts". [5] The song is performed in the key of E minor [6] and Attwood sees the desolate lyrical landscape as being reflected in the descending chord progression of the music: "the chords of E minor and D rock back and forth, and the verse ends with a descent of E minor, D major, B minor, A major – and the descent is a descent ...
The main recording session for "Because" was on 1 August 1969, with vocal overdubs on 4 August, and a double-tracked Moog synthesiser overdub by Harrison on 5 August. [9] As a result, this was the last song on the album to be committed to tape, although there were still overdubs for other incomplete songs.
Written by John Mann and Geoffrey Kelly in 1989 during one of the band's first tours of England, it was originally more of a poem than a full-fledged song. [2] [3] According to producer Danny Greenspoon, the band considered it still a work in progress, and had not brought it to the primary recording sessions for the album; rather, it was brought to Greenspoon's attention only as he was about ...