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D. T. Suzuki was born Teitarō Suzuki in Honda-machi, Kanazawa, Ishikawa Prefecture, the fourth son of physician Ryojun Suzuki. The Buddhist name Daisetsu , meaning "Great Humility", the kanji of which can also mean "Greatly Clumsy", was given to him by his Zen master Soen (or Soyen) Shaku . [ 4 ]
An Introduction to Zen Buddhism is a 1934 book about Zen Buddhism by Daisetz Teitaro Suzuki. First published in Kyoto by the Eastern Buddhist Society, it was soon published in other nations and languages, with an added preface by Carl Jung. The book has come to be regarded as "one of the most influential books on Zen in the West". [1]
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The Zen Studies Society was established in 1956 by Cornelius Crane to help assist the scholar Daisetz Teitaro Suzuki in his work and to help promulgate Zen Buddhism in Western countries. [1] It operates both New York Zendo Shobo-Ji in New York City and Dai Bosatsu Zendo Kongo-Ji in the Catskills area of New York State.
The D. T. Suzuki Museum (鈴木大拙館, Suzuki Daisetsu Kan) opened in Kanazawa, Ishikawa Prefecture, Japan in 2011.Dedicated to the life, writings, and ideas of Kanazawa-born Buddhist philosopher D. T. Suzuki, the facility, designed by Yoshio Taniguchi, includes a contemplative space overlooking the Water Mirror Garden.
[10] [1] Copying and recitation of the Diamond Sutra was a widespread devotional practice, and stories attributing miraculous powers to these acts are recorded in Chinese, Japanese, Tibetan, and Mongolian sources. [1] One of the best known commentaries is the Exegesis on the Diamond Sutra by Huineng, the Sixth Patriarch of the Chan School. [11]
[1] D.T. Suzuki similarly notes that according to the Laṅkā, the storehouse consciousness has two aspects "the Ālaya as it is in itself", called pāramālaya-vijñāna (the 'incessant' or prabandha aspect), and "the Ālaya as mental representation" (vijñaptir ālaya, the manifested or lakshaṇa aspect). [18]
Yumeji (夢二, Yumeji) is a 1991 independent Japanese film directed by Seijun Suzuki. [1] It is a semi-faithful account of poet and painter Takehisa Yumeji. [2] It also forms the final part of Suzuki's Taishō Roman Trilogy, preceded by Zigeunerweisen (1980) and Kagero-za (1981), surrealistic psychological dramas and ghost stories linked by style, themes and the Taishō period (1912-1926 ...
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