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Compared to tape recorders, wire recording devices have a high media speed, made necessary because of the use of the solid metal medium. Standard postwar wire recorders use a nominal speed of 24 inches per second (610 mm/s), making a typical one-hour spool of wire 7,200 feet (approx. 2200 m) long.
Sony introduced this protocol to control reel-to-reel type C video tape recorders (VTR) as well as videocassette recorders (VCR). It uses an DE-9 D-Sub connector with 9 pins (hence the name), where bi-directional communication takes place over a four wire cable according to the RS-422 standard .
Marvin Camras (January 1, 1916 – June 23, 1995) was an electrical engineer and inventor who was widely influential in the field of magnetic recording. Camras built his first recording device, a wire recorder, in the 1930s for a cousin who was an aspiring opera singer named Willy. He also built Willy a telephone, because he could not afford ...
Kodak Starmeter and Starmite Cameras, $74.37. In today's dollars: $762.72 These similar cameras had molded plastic bodies and were touted for their portability.Both used 127 film rolls, which ...
They purchased the rights to produce recorders in 1945 from the Armour Research Foundation. [1] Webster-Chicago simplified the design and developed a recorder that sold for only $150, half the price of competing models. [2] By the 1950s it was the leading manufacturer of wire recorders in the United States. [3] The wire recorder business was ...
The typical professional audio tape recorder of the early 1950s used 1 ⁄ 4 in (6 mm) wide tape on 10 + 1 ⁄ 2 in (27 cm) reels, with a capacity of 2,400 ft (730 m). Typical speeds were initially 15 in/s (38.1 cm/s) yielding 30 minutes' recording time on a 2,400 ft (730 m) reel.
The faders were connected to constant bandwidth, variable Q, 1/2-octave filters placed on octave centers but with adjustable frequency knobs to shift the center frequency for greater flexibility. [11] A limited number of units were sold to audiophiles and audio researchers. By 1977, all of Crown's tape recorder products had been phased out. [2]
The JH-24 Series of Multitrack Tape Recorders was produced from 1980 to 1988 and was the successor to MCI's JH-16 Series. With the JH-24, MCI kept the JH-114 series transport and completely redesigned the audio electronics by implementing a transformless design utilizing differential amplification for the line inputs, line outputs, and head ...
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