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The Adoration of the Golden Calf – picture from the Hortus deliciarum of Herrad of Landsberg (12th century). According to the Torah and the Quran, the golden calf (Hebrew: עֵגֶל הַזָּהָב, romanized: ʿēḡel hazzāhāḇ) was a cult image made by the Israelites when Moses went up to Mount Sinai.
The Adoration of the Golden Calf by Nicolas Poussin. Erev Rav (Hebrew: עֵרֶב רַב ‘êreḇ raḇ "mixed multitude") was a group that included Egyptians and others who had joined the Tribes of Israel on the Exodus. [1] According to Jewish tradition, they were accepted by Moses as an integral part of the people.
He burns the calf, grinds it to powder, strews it upon the water, and makes the Israelites drink it. All the Levites, at Moses’ instruction, kills 3,000 people. God punishes the remaining sinners by means of a plague. PEOPLE: Children of Israel - Moses - Aaron - יהוה YHVH God - Joshua. PLACES: Biblical Mount Sinai
The Golden Calf (gouache on board, c. 1896–1902 by James Tissot). Ki Tisa, Ki Tissa, Ki Thissa, or Ki Sisa (כִּי תִשָּׂא —Hebrew for "when you take," the sixth and seventh words, and first distinctive words in the parashah) is the 21st weekly Torah portion (parashah) in the annual Jewish cycle of Torah reading and the ninth in the Book of Exodus.
There is also a tradition that it was Micah who caused the golden calf to be made; in this tradition, Moses retrieved Joseph's coffin from the Nile by throwing a splinter with the words come up ox (comparing Joseph to an ox) into the river in the wilderness, and Micah retrieved the splinter after this, and threw it into the fire which Aaron had ...
Others point out that the golden calf episode leads to the breaking of the tablets of the Decalogue, something that implies that the covenant had been violated. This event and the plurality of the language used in the second commandment leads many scholars to conclude that it prohibits the making of any image of Yahweh as well as any image of a ...
According to 2 Kings 10:29 and 2 Chronicles 13:8, Jeroboam erected two golden calves as gods in Bethel and Dan. Textual scholars believe that this is where the Elohist story of Aaron's golden calf originates due to opposition in some sections of Israelite society, including the Elohists, to the seeming idol-worship of Jeroboam. [17]
Illustrations of the Golden Calf story usually include him as well – most notably in Nicolas Poussin's The Adoration of the Golden Calf (c. 1633 –34, National Gallery, London). [113] Finally, some artists interested in validating later priesthoods have painted the ordination of Aaron and his sons (Leviticus 8).