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The former Jensen Radio Manufacturing Company was founded in 1927 by Peter Laurits Jensen, the co-inventor of the first loudspeaker, in Chicago, Illinois.The company gained popularity in its early years, rising to its peak in the mid 1940s when Jensen speakers were selected to be used in the first production of a guitar amplifier by Fender Musical Instruments Corporation.
In addition, the Falcon had a separate monitor output at line level, to connect the amp to a separate "Regular Amplifier" (the Falcon being referred to in the brochures as "Reverb Amplifier") and create a stereo effect. The Falcon's sound is described as "full, rich" and "sweet-sounding", with a "raw, gnarly, compressed tone" at higher volumes.
Jensen developed a low-noise, high-performance operational amplifier called the 990 in the late 1970s and was awarded a patent for it September 1, 1981 [3] Following the granting of the patent, Jensen published the circuit so that it could be the basis of further, public development. [4]
Kustom 200 bass amp – amp head and speakers, 100 watts RMS, two channels, on top of a speaker cabinet with two 15" speakers, 1971. A guitar speaker cabinet is typically a wooden box that contains one or more guitar speakers. The smallest guitar cabinets have one 6.5" or 8" speaker; these are usually practice amplifier units designed for ...
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
This latter model (6G4-A) is the most common design lasting from mid 1961 to 1963 until the Super-Reverb Amp was debuted. The 6G4-A however typically sports standard brown tolex with wheat colored grill cloth and delivers approximately 40 watts of power. During this time, the 2-10" speakers were either Jensen AlNiCo or Oxford AlNiCo models.
The early Sunn amplifiers relied heavily on tube amplifiers designed by David Hafler and preamps sold by the Dynaco Hi-fi company, with many of the first units actually containing power amplifier chassis sold by Dynaco (models MKII, MKIII, MKIV) as well as modified Dyna PAS1 preamplifiers. By 1965, the demand for Sundholm's amplifiers had ...
Feedback appeared in his 1943 Wartime Quality Amplifier, built around American 6V6 beam tetrodes; however, both the input stage and the output transformer were placed outside the feedback loop. [14] Cocking's Quality Amplifier family became the foundation of post-war British and Australian audio industry, including the Williamson amplifier. [6]
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