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"The Least You Can Do" is a song by English singer Phil Collins. Originally released on his seventh solo album Testify (2002), it was issued in 2003 with " Wake Up Call " as a double A-side single. The song was written and arranged with Daryl Stuermer, who also provided the arrangement for other songs in Collins' career, such as " Something ...
This page was last edited on 25 January 2018, at 11:56 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Daryl Mark Stuermer (born November 27, 1952) is an American musician, songwriter, singer, and record producer best known for playing the guitar and bass for Genesis during live shows, and lead guitar for Phil Collins during most solo tours and albums. [1] He has also released nine solo albums, and tours with his Daryl Stuermer Band.
on YouTube " Wake Up Call " is a double A-side 2003 single release by English drummer Phil Collins from his seventh solo album Testify , released in 2002. The song was released in a double A-side format alongside " The Least You Can Do ".
Collins collaborated with his longtime associate Daryl Stuermer for "The Least You Can Do", Stuermer providing the music and lead guitar and Collins the lyrics and arrangement. Stuermer also plays guitar on the next track, "Can't Stop Loving You", a cover of Leo Sayer's 1978 country hit. Collins heard the song on the radio and brought a modern ...
on YouTube " Don't Let Him Steal Your Heart Away " is a song by Phil Collins from his second solo album Hello, I Must Be Going! . The song was the third single released from the album in the UK and charted at No. 45.
The music video, directed by Jim Yukich and produced by Paul Flattery, [7] features Collins getting into a Ford Popular and singing a line of the song in various places around the world, including London, Paris, Tokyo, New York City, Sydney, Bremen, Memphis (), Los Angeles (Hollywood), [8] Stockholm, San Francisco, Tokyo, Kyoto, Chicago, St. Louis and Houston.
Collins has stated that the lyrics to "Don't Lose My Number" were improvised, and that he himself does not fully understand what they mean. [5] Stephen Holden of The New York Times also agreed that the lyrics were very "vague, sketching the outlines of a melodrama but withholding the full story". [6]
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