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"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca .
He recorded his own instrumental versions of "Rock Around the Clock" in 1959 as Jimmy DeKnight and His Knights of Rhythm, which were released as a 45 single on several record labels, Apt, Peak, President in the UK, and Arzee in 1979. [6] One version was the song arranged in the cha cha format as "Rock Around the Clock Cha Cha".
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine The Billboard Hot 100 chart is the main song chart of the American music industry and is updated every week by the Billboard magazine. During ...
The group was the first to record the hit song "Rock Around the Clock". The group comprised Italian-American singer Sonny Dae (born Paschall Salvatore Vennitti, May 24, 1928–February 1987), [ 1 ] pianist Hal Hogan, guitarist Art Buono, and Mark Bennett, bassist, and/or drummer. [ 2 ]
The success of the single in North America even resulted in Radio Records rush-releasing a second single for the US market. The last four minutes of the album version of the Beatles medley ("Stars on 45"/Good Day Sunshine"/"My Sweet Lord"/"Here Comes the Sun"/"While My Guitar Gently Weeps"/"Tax Man"/"A Hard Day's Night"/"Please Please Me"/"From Me to You"/"I Wanna Hold Your Hand"/"Stars on 45 ...
The Comets performed "R-O-C-K" in the 1956 film Rock Around the Clock. The recording was also released as a 45 single in the UK on Brunswick Records as 45-05565. The song appeared on the 1972 Decca and MCA career retrospective album Golden Hits and on the 1985 MCA Records compilation album From the Original Master Tapes.
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The arrangement requires temple blocks to be used as the sound of the clock that is heard throughout, except for a brief section in the middle. The piece is in 4 4 time; the opening establishes a perfectly regular "tick-tock" accompaniment, beginning with a roll off the orchestra's staccato strike of an A chord, creating an expectation that it will continue.