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Richard Rodgers and Lorenz Hart. According to the Great American Songbook Foundation: . The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy.
The Swinging Blue Jeans had the standard Shadows line-up of two guitars, a bass guitar and drums and achieved local fame with their appearances at the Mardi Gras Club and the Cavern Club. An album Blue Jeans a-Swinging was released in 1964 by His Master's Voice ; a contemporaneous American LP composed of 45 and EP tracks, Hippy Hippy Shake ...
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1893 [1] [2] or 1903 [3] [4] – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African-American audiences.
Robert Leroy Johnson was born in Hazlehurst, Mississippi, possibly on May 8, 1911, [4] to Julia Major Dodds (born October 1874) and Noah Johnson (born December 1884). Julia was married to Charles Dodds (born February 1865), a relatively prosperous landowner and furniture maker, with whom she had ten children.
Critics described the genre of "Blue Jeans" as sadcore [3] and gothic pop; [4] Jon Dolan from Rolling Stone labelled the song a trip hop version of ZZ Top's "Sharp Dressed Man" (1983). [5] Over a balladic production [ 5 ] with surf rock guitar twangs following a basic chord progression of Fm-E♭-B♭, [ 6 ] [ 7 ] Del Rey sings, "Love is mean ...
He also played as a sideman on many more. His major collaborations were with Hank Snow , Arthur Fiedler and the Boston Pops Orchestra, The Country All-Stars , The Nashville String Band, Jerry Reed , Merle Travis , Doc Watson , Lenny Breau , Les Paul , Mark Knopfler , Suzy Bogguss , Floyd Cramer , Johnny Gimble , and Tommy Emmanuel .
Bill Monroe, who was formative in the development of bluegrass music, has openly cited Shultz as an influence on his playing. [8] Bill recalled that “him and two other colored men come there to Rosine to play for the dance” and “they had a guitar, banjo, and fiddle. Arnold played the guitar.” "Bill was awestruck." [9]
In each case, the guitar was designed wholly or in part by Smith. Each design was a full-bodied archtop guitar with a top carved from solid spruce and a back and sides made of solid maple. All the on-board electronics for each guitar, from the small pickup in the neck position through the volume knob to the output jack, were mounted on the ...