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A labyrinth can be generated by tiles in the form of a white square with a black diagonal. As with the quarter-circle tiles, each such tile has two orientations. [3] The connectivity of the resulting labyrinth can be analyzed mathematically using percolation theory as bond percolation at the critical point of a diagonally-oriented grid.
Following Grünbaum and Shephard (section 1.3), a tiling is said to be regular if the symmetry group of the tiling acts transitively on the flags of the tiling, where a flag is a triple consisting of a mutually incident vertex, edge and tile of the tiling.
A tiling that cannot be constructed from a single primitive cell is called nonperiodic. If a given set of tiles allows only nonperiodic tilings, then this set of tiles is called aperiodic. [3] The tilings obtained from an aperiodic set of tiles are often called aperiodic tilings, though strictly speaking it is the tiles themselves that are ...
A Pythagorean tiling Street Musicians at the Door, Jacob Ochtervelt, 1665.As observed by Nelsen [1] the floor tiles in this painting are set in the Pythagorean tiling. A Pythagorean tiling or two squares tessellation is a tiling of a Euclidean plane by squares of two different sizes, in which each square touches four squares of the other size on its four sides.
The pattern represented by every finite patch of tiles in a Penrose tiling occurs infinitely many times throughout the tiling. They are quasicrystals: implemented as a physical structure a Penrose tiling will produce diffraction patterns with Bragg peaks and five-fold symmetry, revealing the repeated patterns and fixed orientations of its tiles ...
There is no text, but there is a grid pattern and color-coding used to highlight symmetries and distinguish three-dimensional projections. Drawings such as shown on this scroll would have served as pattern-books for the artisans who fabricated the tiles, and the shapes of the girih tiles dictated how they could be combined into large patterns.
Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
A portion of tiling by Ammann's aperiodic A5 set of tiles, decorated with finite, local matching rules which force infinite, global structure, that of Amman–Beenker tiling. In geometry , an Ammann–Beenker tiling is a nonperiodic tiling which can be generated either by an aperiodic set of prototiles as done by Robert Ammann in the 1970s, or ...
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