Search results
Results from the WOW.Com Content Network
The Roses of Heliogabalus is an oil painting by the Anglo-Dutch artist Sir Lawrence Alma-Tadema, from 1888. It depicts the young Roman emperor Elagabalus (203–222 AD) hosting a banquet. It is held in a private collection.
Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge (1688) is an oil on canvas painting by the Dutch painter Rachel Ruysch. It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts , in Washington, D.C. .
The vivid red, semi-double Rosa gallica was "the ancestor of all the roses of medieval Europe". [1] Various folk cultures and traditions assign symbolic meaning to the rose, though these are seldom understood in-depth. Examples of deeper meanings lie within the language of flowers, and how a rose may have a different meaning in arrangements ...
The blossom. Before the pontificate of Sixtus IV (1471–84) the Golden Rose consisted of a simple and single blossom made of pure gold and slightly tinted with red. Later, to embellish the ornament while still retaining the mystical symbolism, the gold was left untinted but rubies and afterwards many precious gems were placed in the heart of the rose or on its petals.
The large, double flowers are extremely fragrant. Their colour is clear red to deep pink, displaying darker purple hues as they age, [6] The reverse is paler with occasional white streaking. [6] [7] The bloom form is globular and high-centered, with 24 to 30 broad petals with wavy edges, [6] and an average diameter of 10 centimetres (3.9 in). [1]
After recounting the legend [12] he remarks that "the preceding monks hoped to go to heaven without leaving the earth, to find 'the place where the sky and the earth touch,' and open the mysterious gateway which separates this world from the other. Such is the cosmographical notion of the universe; it is always the terrestrial valley crowned by ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
This is a featured picture, which means that members of the community have identified it as one of the finest images on the English Wikipedia, adding significantly to its accompanying article. If you have a different image of similar quality, be sure to upload it using the proper free license tag , add it to a relevant article, and nominate it .