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Antithesis (pl.: antitheses; Greek for "setting opposite", from ἀντι-"against" and θέσις "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect.
The Slavic antithesis is a stylistic device used in Serbian, Croatian, Bosnian, and Macedonian epic poetry. It is usually implemented at the beginning of the poem and consists of three parts: a question is asked, then a negative answer is given, and finally the real explanation is provided.
In rhetoric, antanaclasis (/ æ n t ə ˈ n æ k l ə s ɪ s, ˌ æ n t æ n ə ˈ k l æ s ɪ s /; from the Greek: ἀντανάκλασις, antanáklasis, meaning "reflection", [1] from ἀντί anti, "against", ἀνά ana, "up" and κλάσις klásis "breaking") is the literary trope in which a single word or phrase is repeated, but in two different senses. [2]
Tales of Count Lucanor (Old Spanish: Libro de los enxiemplos del Conde Lucanor et de Patronio) is a collection of parables written in 1335 by Juan Manuel, Prince of Villena. It is one of the earliest works of prose in Castilian Spanish. The book is divided into five parts.
The Trickster of Seville and the Stone Guest (Spanish: El burlador de Sevilla y convidado de piedra) is a play traditionally attributed to Tirso de Molina, although several scholars now attribute it to Andrés de Claramonte.
All songs by Enrico Rosenbaum except as noted. "Crusader" (James Johnson, Enrico Rosenbaum) – 3:10 "Day After Day" (Randy Cates, James Walsh) – 3:15 "The Creeper" – 3:13