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Boeremusiek is a genre steeped in the history of Afrikaner identity and politics, but it also reflects the complex intersections of race, class, and culture in South African music. Its evolution from a hybrid form of folk music to a symbol of white Afrikaner nationalism complicates simple narratives about its origins and meanings.
The Free Music Archive (FMA) is an online repository of royalty-free music, currently based in the Netherlands. [1] Established in 2009 by the East Orange, New Jersey community radio station WFMU and in cooperation with fellow stations KBOO and KEXP , it aims to provide music under Creative Commons licenses that can be freely downloaded and ...
Independent, unique sound library with royalty free & free sound effects - for video, sound design, music productions and more. CC0, CC BY Gfx Sounds: Yes Yes Sound library for professional and free sound effects downloads. CC0, CC BY Free To Use Sounds: Yes Yes Sound effects library with hiqh quality field recordings from all around the world.
The South African Music Encyclopedia (Suid-Afrikaanse Musiekensiklopedie, or SAME) is an encyclopedia of South(ern) African musicians and music. Its four volumes were published in 1979, [ 1 ] 1982, [ 2 ] 1984, [ 3 ] and 1986 [ 4 ] under the editorship of Afrikaans music scholar Jacques Philip Malan in both English and Afrikaans.
NuL / ˈ n ʌ l / is a South African band formed in 1998 by Adriaan Pelzer and Simon Kruger, operating as NuL since 2004.NuL creates Afrikaans EBM/Industrial music, and propagates the free distribution of their music.
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Daniel Ferdinand (Danie) Bosman (7 February 1907, Cape Town– 27 May 1946, Muizenberg) [1] was a South African Composer who mainly composed Afrikaans music. Although his first language was English, he composed Afrikaans songs like "Boereseun" and "In die skadu van ou Tafelberg".
Transvaal vierkleur flag with pro-Boer text that accompanies music video intro. On 6 February 2007, the South African Department of Arts and Culture issued a statement regarding "De la Rey" (ostensibly a tribute to 19th Century military leader Koos de la Rey) and its then popularity with some Afrikaners, some of whom were claimed to interpret the song as a call to armed conflict.
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