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Prabandha is a literary genre of medieval Indian Sanskrit literature.The prabandhas contain semi-historical anecdotes about the lives of famous persons.They were written primarily by Jain scholars of western India (Gujarat and Malwa) from 13th century onwards.
The period of the Empire is known as "Prabandha Period," because of the quality of the prabandha literature produced during this time. Among these eight poets, Allasani Peddana is considered to be the greatest and is given the title of Andhra Kavita Pitamaha (the father of Telugu poetry).
This period of the Empire is known as the "Prabandha Period," because of the quality of the prabandha literature it produced. [54] Allasani Peddana is considered to be the greatest and given the title of Andhra Kavita Pitamaha (the father of Telugu poetry). Svarocisha Sambhava or Manucharita, his popular prabandha work, was dedicated to ...
The age of Ashtadiggajas is called the Prabandha Age (1540 CE to 1600 CE). [1] Each Ashtadiggaja had composed at least one Prabandha Kavyamu, and it was the Ashtadiggajas who gave Prabandha its present form. [2] Most Ashtadiggajas were from Rayalaseema. [2]
Srinatha (Telugu: శ్రీనాథుడు) (1365–1441) popularised the Prabandha style of composition. [27] He was a minister in the court of Pedakomati Vemareddy of Kondaveedu [ citation needed ] and wrote Salivahana Saptasati , Sivaratri Mahatyam , Harivilasa , Bhimakanda , Kasi Khandam , Srungara Naishadham , Palanati Veera Charitra ...
In many cases, the Laghu-Prabandha-Saṅgraha version appears to be the oldest, being simpler, less polished, and more archaic in language. [5] This does not mean that the compiler of the Laghu-Prabandha-Saṅgraha was the original writer of the stories: he may have borrowed the stories from older literature or oral tradition. [6]
Throughout the Vijayanagara period, theory and musical practice kept pace with each other closely. Great musicologists like Salva Gopa Tippendra, Kallinatha, Kumbhakarna, Ramamatya, Laksmanarayana, Pandarika Vittala, Somanatha, Locana Jha and Hrdayanarayanadeva contributed to musical theory of both North and South India during this period.
The Nābhi-nandana-jinoddhāra-prabandha is a 1336 Sanskrit book in the prabandha genre written by the Jain scholar Kakka Suri (Kakkasūri). The main objective of the book is to record the renovation of the Rishabhanatha Jain temple on Shatrunjaya hill in Gujarat, during the Delhi Sultanate rule.