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The áo dài Le Mur, or "trendy" ao dai, created a sensation when model Nguyễn Thị Hậu wore it for a feature published by the newspaper Today in January 1935. [19] The style was promoted by the artists of Tự Lực văn đoàn ("Self-Reliant Literary Group") as a national costume for the modern era. [ 20 ]
The final included four competitions: evening gown, swimsuit, áo dài, and interview. The winner, Nguyễn Thùy Lâm, was host delegate for the Miss Universe 2008 pageant held July 14, 2008, also in Nha Trang. [3] [4]
A yếm or áo yếm (Vietnamese:, chữ Nôm: 裺 or 襖裺) is a traditional Vietnamese undergarment that was once worn by Vietnamese women across all classes. It was most usually worn underneath a blouse or mantle to preserve modesty.
After the victory of Vietnamese representative, Nguyễn Thúc Thùy Tiên, at Miss Grand International 2021, the Miss Grand Vietnam licensee company, Sen Vang Entertainment, planned to organize the first contest of Miss Grand Vietnam in July 2022, [3] but due to the short time of preparation, it was postponed twice, firstly to September, [4] [5] [7] then to October.
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
Currently, they are performed at festivals in Huế (múa cung đình Huế - court dance) or other special (often televised) occasions, in order to promote the traditional arts. Some of the most popular dances include (among others): Fan dance - vũ phiến; Lantern dance -lục cúng hoa đăng; Lotus dance - múa sen, múa bài bông; Flag dance
The White Silk Dress (Vietnamese: Áo lụa Hà Đông) is a 2006 Vietnamese war film directed by Luu Huynh starring Truong Ngoc Anh and Nguyen Quoc Khanh. With a budget of over 2 million dollars, it is one of the most expensive Vietnamese films ever made.
Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.