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Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's opera Don Giovanni. It is often performed in recitals and featured in anthologies of music for tenor. [1]
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
Cast (Don Giovanni, Leporello, Donna Anna, Don Ottavio, Donna Elvira, Zerlina, Masetto, Commendatore) Conductor, Opera house and orchestra Label [1] 1954 Cesare Siepi Otto Edelmann Elisabeth Grümmer Anton Dermota Lisa Della Casa Erna Berger Walter Berry Dezső Ernster: Wilhelm Furtwängler Vienna Philharmonic, Salzburg Festival
The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5. The piece is labelled a "duettino", a "little duet". The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam! .
"Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“ („I accept with pleasure“).
The opera was the first of three collaborations between Mozart and Da Ponte, followed by Don Giovanni and Così fan tutte. It was Mozart who originally selected Beaumarchais's play and brought it to Da Ponte, who turned it into a libretto in six weeks, rewriting it in poetic Italian and removing all of the original's political references.
Scènes bohémiennes, an orchestral suite made by Bizet in 1874 from his opera La jolie fille de Perth; Suite No. 1 from the above-listed incidental music for Daudet’s L’Arlésienne, compiled in 1872 by Bizet himself; Suite No. 2 from L’Arlésienne, compiled by Guiraud in 1879 after Bizet’s death