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Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to lead the Republic of Florence and run the Medici Bank simultaneously. As one of the wealthiest men in Europe, the elder Cosimo spent a very large portion of his fortune on government and philanthropy, for example as a patron of the arts and financier of public works. [7]
Exterior view. The death of two scions of the Medici family, Giuliano de' Medici, Duke of Nemours (in 1516), and Lorenzo de' Medici, Duke of Urbino (in 1519), had deeply embittered Pope Leo X, the brother of Giuliano and uncle of Lorenzo, who wanted to ensure that they obtained a princely burial.
Lorenzo di Piero de' Medici (Italian: [loˈrɛntso di ˈpjɛːro de ˈmɛːditʃi]; 12 September 1492 – 4 May 1519) was the ruler of Florence from 1516 until his death in 1519. He was also Duke of Urbino during the same period.
A further source of friction between Lorenzo and Sixtus was the status of the archbishoprics of Florence, left vacant by the sudden death of Pietro Riario in January 1474; and of Pisa, left vacant by the death of Filippo de' Medici in October 1474. Lorenzo managed to obtain the archbishopric of Florence for his brother-in-law, Rinaldo Orsini ...
He was born into a noble family in the town of Volterra, then part of the Florentine Republic ruled by the Medici family. [1] He is best remembered for the role he played in the Pazzi conspiracy, a plot to remove the Medici from power by those dissatisfied with their rule. Maffei was exasperated against Lorenzo since the sacking of Volterra. [2]
Mater Dolorosa, Rijksmuseum. Pietro Torrigiano (24 November 1472 – July/August 1528) [1] was an Italian Renaissance sculptor from Florence, who had to flee the city after breaking Michelangelo's nose.
The new Pope Leo X was no stranger to Michelangelo, being no other than his old schoolmate Giovanni di Lorenzo de' Medici, the second son of Lorenzo the Magnificent. Since Leo was a Medici, one of the projects that naturally occurred to him was the decoration of the unfinished front of his family's church, San Lorenzo, in Florence. [8]
[3] [7] She suggests instead that the diptych was commissioned by someone else (perhaps Lorenzo de’ Medici) as a gift both to honor him for his triumphant military campaign at Volterra in 1472 and to console him for the loss of his beloved young wife, who had become ill in his absence and died soon after his return.