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In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
In Samnanger church for instance, outside corners have been cut to avoid splicing logs, the result is an octagonal floor plan rather than rectangular. [12] The cruciform constructions provided a more rigid structure and larger churches, but view to the pulpit and altar was obstructed by interior corners for seats in the transept.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
Cathedral floor plan (crossing is shaded) A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.
Plan of the Renaissance St Peter's Basilica, showing elements of both central and longitudinal plan. Many of the earliest churches of Byzantium have a longitudinal plan. At Hagia Sophia, Istanbul, there is a central dome, framed on one axis by two high semi-domes and on the other by low rectangular transept arms, the overall plan being square ...
"The beautiful cruciform-plan interior is highlighted by both beamed and groin-vaulted ceilings, arcaded side aisles and mahogany paneling. The stained-glass windows cast a blue glow on the ...
The two former layouts, the open square (or rarely, circular) and the cruciform have been found best suited to celebration of the Divine Liturgy. These two interior layouts tend to be square/circular in form rather than elongated. The cruciform is the oldest of the two interior layouts and seems to be of Byzantine origin.
More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross. This design is called a Latin cross ground plan, and these extensions are known as the "arms" of the transept. [1] A Greek cross ground plan, with all four extensions the same length, produces a central-plan structure.