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The organ which provides music and accompanies the choir may be located on the screen, or may be in the gallery above the choir, or in a transept. Some churches have an organ loft at the west end of the church. These are usually a later addition to medieval churches; large examples had portative organs, often several. [37]
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
In Samnanger church for instance, outside corners have been cut to avoid splicing logs, the result is an octagonal floor plan rather than rectangular. [12] The cruciform constructions provided a more rigid structure and larger churches, but view to the pulpit and altar was obstructed by interior corners for seats in the transept.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
The cruciform plan was a landmark development in Christian architecture, because it replaced a basilica plan with a centralized shrine plan. [9] Dozens of cruciform church buildings of the late fourth and early fifth centuries were rough imitations of the Constantine-era Church of the Holy Apostles, such as St. Ambrose's Church of the Apostles ...
Like the majority of medieval cathedrals, those of England are cruciform. While most are of the Latin Cross shape with a single transept, several including Salisbury, Lincoln, Wells and Canterbury have two transepts, which is a distinctly English characteristic. The transepts, unlike those of many French cathedrals, always project strongly.
A crux immissa or Latin cross. A Latin cross or crux immissa is a type of cross in which the vertical beam sticks above the crossbeam, [1] giving the cross four arms. Typically the two horizontal and upper vertical arm are the same length, although sometimes the vertical is shorter, however the lower vertical arm is always much longer than any other arm.
Cathedral floor plan (crossing is shaded) A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.