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Francis Hall Johnson (March 12, 1888 – April 30, 1970) was an American composer and arranger of African-American spiritual music. He is one of a group—including Harry T. Burleigh , R. Nathaniel Dett , and Eva Jessye —who had great success performing African-American spirituals.
The Green Pastures also featured numerous African-American spirituals arranged by Hall Johnson and performed by The Hall Johnson Choir. The cast also included singer Mabel Ridley .The chorus included torch singer Eva Sylvester and members of the Sylvester family as cherubs.
Hall Johnson Negro Choir - Keep Yo' Hand on the Plow, Hold On - 1930; Duke Ellington at the 1958 Newport Jazz Festival; The Folksmiths, including Joe Hickerson - We've Got Some Singing To Do 1958; Odetta on Odetta at Carnegie Hall 1961; Clara Ward and Her Singers 1962; Bob Dylan on his self-titled debut album 1962 [5] Peggy Lee - 2 Shows ...
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
1936: Dimples – hummed by the Hall Johnson Choir [15] 1936: The Lonely Trail – sung by a choir; 1938: Everybody Sing – swing version sung by Judy Garland in blackface at an audition, with special lyrics. [16] 1938: Room Service – sung by the Marx Brothers [17] 1943: Dixie – sung by Bing Crosby and a chorus [18] 1948: A Date with Judy [19]
Johnson made an arrangement of "Nobody Knows the Trouble I See" for voice and piano in 1917, when he was directing the New York Music School Settlement for Colored People. [6] The song was released on the extended play Negro Spirituals Vol. 1 (HMV 7EGN 27), and the song was arranged by Harry Douglas.
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James Weldon Johnson's Book of Negro Spirituals is an important reference work that contains clues "about how long and how pervasive the penchant for harmonizing was among African Americans". [136] The Scopes Trial is discussed in a ballad, whose broadside is sold outside the courthouse during the trial, selling more than 60,000 copies. Music ...