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The Leach Pottery was founded in 1920 by Bernard Leach and Shoji Hamada in St Ives, Cornwall, in the United Kingdom. [ 1 ] The buildings grew from an old cow / tin-ore shed in the 19th century to a pottery in the 1920s with the addition of a two-storey cottage added on to the lower end of the pottery, followed by a completely separate cottage ...
In 1934, Leach and Mark Tobey travelled together through France and Italy, then sailed from Naples to Hong Kong and Shanghai, where they parted company, Leach heading on to Japan. Leach formally joined the Baháʼí Faith in 1940 after being introduced to it by Mark Tobey, who was himself a Baháʼí. [ 6 ]
Janet Darnell Leach (15 March 1918 – 12 September 1997), was an American studio potter working in later life at the Leach Pottery in St Ives, Cornwall in England. After studying pottery at Black Mountain, North Carolina under Shoji Hamada , a visiting artisan, she traveled to Japan to work with him.
Leading trends in British studio pottery in the 20th century are represented by Bernard Leach, William Staite Murray, Waistel Cooper, Dora Billington, Lucie Rie and Hans Coper. Originally trained as a fine artist, Bernard Leach (1887–1979) established a style of pottery, the ethical pot , strongly influenced by Chinese, Korean, Japanese and ...
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.
Its leading proponents were Bernard Leach and a more controversial group of post-war British studio potters. [1] They were theoretically opposed to the expressive pots or fine art pots of potters such as William Staite Murray, Lucie Rie and Hans Coper. [1] The ethical pot theory and style was popularized by Bernard Leach in A Potter's Book ...
Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. [3] Influencing his choice were the availability of local clay and the original bottle kiln. Cardew recruited ...
The collection called the W.A. Ismay Collection was bequeathed to the Yorkshire Museum and is one of the world's largest collections of 20th-century studio pottery. [3] It includes work by Bernard Leach , Hans Coper , Shoji Hamada , Takeshi Yasuda , David Leach Dan Arbeid and Lucie Rie .