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Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Flagon, ruby glass, silver-gilt mounts, stones and enamels, 1858–9, John Hardman Powell, V&A Museum no. M.39-1972 [1]. John Hardman senior, (1766–1844), of Handsworth, then in Staffordshire, England (and now part of Birmingham), was the head of a family business designing and manufacturing metalwork.
Stained glass is colored glass as a material or works created from it. ... The bishop-saint Lambrecht of Maastricht stands in an extensive landscape, 1510–20.
Higgins Glass refers to any piece of art glass or fused glass fashioned by Michael and Frances Higgins, of Chicago, Illinois, United States, during the last half of the 20th century. Their work combines a Kandinsky -esque visual aesthetic with an emphasis on functionality of the finished pieces.
Scientific glass blowing, which is practiced in some larger laboratories, is a specialized field of glassblowing. Scientific glassblowing involves precisely controlling the shape and dimension of glass, repairing expensive or difficult-to-replace glassware, and fusing together various glass parts.
Flashed glass fused a thin outer layer of glass to a thicker glass object, often of a different color. The larger object was dipped into molten glass, then heated to fuse the outer layer to the object. The outer layer could then be etched, often diamond, to reveal the color beneath. Glass marquetry was a technique developed by Émile Gallé in ...
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