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Saint John the Evangelist and Saint Francis is a c.1600 oil on canvas painting by the artist El Greco, now in the Uffizi. John is accompanied by an eagle (bottom left) and holds a gold chalice containing his head. Both saints are barefoot. The artist's signature Dominicos Théotokopulos epoiese is on a rock in the centre.
"the structural code in the morphology of the mature El Greco": this could use more explanation. I tried to offer some further explanation.--Yannismarou 13:49, 9 November 2006 (UTC) "he visited his friend Ignacio Zuloaga": it's not made clear why this is relevant to Picasso's interest in El Greco. Because Zuloaga was the owner of the Fifth Seal
El Greco (1541–1614) was a Cretan-born painter, sculptor and architect of the Spanish Renaissance. El Greco left his birthplace for Venice in 1567, never to return. El Greco's three years in Venice profoundly influenced his style. In 1577, he emigrated to Toledo, Spain, where he lived and worked until the end of his life.
The problem that in this case the critics (and scholars) were the protagonists in El Greco's re-evaluation. The artists came next.--Yannismarou 16:33, 23 December 2006 (UTC) Except for the above points, this would tick all my boxes at FAC. Best of luck to you! [talk to the] HAM 12:22, 22 December 2006 (UTC) Thanks a lot for the review.--
Self-portrait of El Greco, 1604. The Spanish-Mediterranean style El Greco was built from 1929 to 1930 and was one of the original buildings in Westwood Village. [3] The two-story, 12-unit structure was designed by architect Clara Bertram Humphrey, and modeled after the home of artist El Greco in Toledo, Spain.
El Greco was a nickname, [a] and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post ...