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Over time, venus came to refer to any artistic depiction in post-classical art of a nude woman, even when there was no indication that the subject was the goddess. The Birth of Venus, by Sandro Botticelli c. 1485 –1486. Venus, Mars, and Vulcan, by Tintoretto. The Birth of Venus (c. 1485) Sleeping Venus (c. 1501) Venus of Urbino (1538)
The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in
Depicts the goddess Venus, having emerged from the sea as a fully grown woman, arriving at the sea-shore. The seashell she stands on was a symbol in classical antiquity for a woman's vulva. Thought to be based in part on the Venus de' Medici, an ancient Greek marble sculpture of Aphrodite.
The English name of Venus was originally the ancient Roman name for it. Romans named Venus after their goddess of love, who in turn was based on the ancient Greek goddess of love Aphrodite, [271] who was herself based on the similar Sumerian religion goddess Inanna (which is Ishtar in Akkadian religion), all of whom were associated with the planet.
Pages in category "Venus (mythology)" The following 40 pages are in this category, out of 40 total. This list may not reflect recent changes. ...
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
In classical mythology, Lucifer ("light-bringer" in Latin) was the name of the planet Venus as the morning star (as the evening star it was called Vesper), and it was often personified as a male figure bearing a torch. Lucifer was said to be "the fabled son of Aurora [3] and Cephalus, and father of Ceyx". He was often presented in poetry as ...
It depicts not the actual birth of Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus. She is considered the epitome of the Classical Greek and Roman ideal of the female form and beauty, on par with Venus de Milo. For Bouguereau, it is considered a tour de force. The canvas stands at ...