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An example is the phenomenon of tapping to the beat, where the listener anticipates the rhythmic accents in a piece of music. Another example is the effect of music on movement disorders: rhythmic auditory stimuli have been shown to improve walking ability in Parkinson's disease and stroke patients. [41] [42]
Psychomusicology: Music, Mind, and Brain; Music & Science; Jahrbuch Musikpsychologie [112] Music psychologists also publish in a wide range of mainstream musicology, computational musicology, music theory/analysis, psychology, music education, music therapy, music medicine, and systematic musicology journals. The latter include for example:
Music also affects socially-relevant memories, specifically memories produced by nostalgic musical excerpts (e.g., music from a significant time period in one's life, like music listened to on road trips). Musical structures are more strongly interpreted in certain areas of the brain when the music evokes nostalgia.
It can help your brain interpret information and gain a better understanding of new things more easily. Music can engage the brain in many different ways, whether that be making one more attentive, focused, increased concentration etc. [43] According to a 2017 study, soft, fast music was concluded to have a positive effect on productiveness.
"Engaging with various styles of music has been shown to have multifaceted effects on both emotional and cognitive functions of the brain," says Nadia Kumentas, NMD, a doctor of naturopathic ...
This Is Your Brain on Music: The Science of a Human Obsession is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2006, and updated and released in paperback by Plume/Penguin in 2007.
Dr. Jenna DiLossi, Psy.D., ABPP, Clinical Psychologist and presenter for Minding Your Mind, says that music directly targets the emotional hub of the brain or the limbic system. “This part of ...
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...