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The kits were invented, developed and marketed in 1950 by Max S. Klein, an engineer and owner of the Palmer Paint Company in Detroit, Michigan, United States, and Dan Robbins, a commercial artist. When Palmer Paint introduced crayons to consumers, they also posted images online for a "Crayon by Number" version. A completed paint-by-number painting
The List of painters in the National Gallery of Art is a list of the named artists in the National Gallery of Art, Washington, D.C. whose works there comprise oil paintings, gouaches, tempera paintings, and pastels. The online collection contains roughly 4,000 paintings by 1,000 artists, but only named painters with the previously mentioned ...
Two Figures (1953) (CR 53–24) is an oil painting by Francis Bacon, sometimes known as Two Figures on a Bed (or, affectionately, "The Buggers"). It measures 152.5 cm × 116.5 cm (60.0 in × 45.9 in), and is in a private collection. The painting depicts two naked men grappling with each other on a disarrayed bed.
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851), [1] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.
Venus and Cupid, 16th century, Oil on panel, New Orleans Museum of Art; Angel of the Annunciation: c. 1510–1513: Oil painting In Duke Cosimo I de' Medici's palace during Vasari's lifetime (1511–1574) The Incarnate Angel, satirical copy The painting is described by Vasari. A drawing survives among studies for the Battle of Anghiari (see below).
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Rain, Steam, and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner. [1] The painting was first exhibited at the Royal Academy in 1844, though it may have been painted earlier. [i] It is now in the collection of the National Gallery, London.
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