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  2. Vocal warm-up - Wikipedia

    en.wikipedia.org/wiki/Vocal_warm-up

    A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. Vocal warm-ups are essential exercises for singers to enhance vocal performance and reduce the sense of effort required for singing. Research demonstrates that engaging in vocal warm-ups can temporarily elevate vocal effort, which normalizes ...

  3. Estill Voice Training - Wikipedia

    en.wikipedia.org/wiki/Estill_Voice_Training

    These figures for voice exercises have a focus basic anatomy and vocal physiology, a knowledge of which helps encourage deductions on reducing constriction and healthy voice decisions. [24] Janice Chapman , the operatic singer, voice teacher and researcher, writes "Estill figures lead to a much greater freedom and flexibility in the demanding ...

  4. Vocal Coach Eric Vetro's New Course to 'Improve' Your Voice ...

    www.aol.com/lifestyle/vocal-coach-eric-vetros...

    Complete with over 100 vocal exercises for various ranges as well as dozens of pages of course notes to accompany the videos, Vetro's course is the longest of the BBC Maestro series to date. "We ...

  5. Singing - Wikipedia

    en.wikipedia.org/wiki/Singing

    Vocal exercises have several purposes, including [16] warming up the voice; extending the vocal range; "lining up" the voice horizontally and vertically; and acquiring vocal techniques such as legato, staccato, control of dynamics, rapid figurations, learning to sing wide intervals comfortably, singing trills, singing melismas and correcting ...

  6. Wanna Sing Like Springsteen? Famed Vocal Coach Eric Vetro ...

    www.aol.com/entertainment/wanna-sing-springsteen...

    By we, unfortunately, I mean I was singing, and I was really trying my best. Sitting, and eventually standing, in front of my computer in my spare bedroom office, I was doing vocal exercises ...

  7. Mathilde Marchesi - Wikipedia

    en.wikipedia.org/wiki/Mathilde_Marchesi

    Two of the most distinctive features of her teachings were her "analytical method" and her insistence on very short practice times for beginners. Her "analytical method" placed great importance on intellectually understanding both the technical and the aesthetic nature of everything sung, from grand arias to simple vocal exercises.

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