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  2. Vocal warm-up - Wikipedia

    en.wikipedia.org/wiki/Vocal_warm-up

    A good vocal warm up will relax the jaw, while activating the lips and the tongue in a variety of exercises to stretch the muscles and prepare for the more defined vocal articulation that is required when singing or acting. These exercises may include tongue twisters, or the famous "me, may, ma, moh, moo" that many actors are seen doing in film.

  3. Vocal Coach Eric Vetro's New Course to 'Improve' Your Voice ...

    www.aol.com/lifestyle/vocal-coach-eric-vetros...

    "That felt good to hear." Complete with over 100 vocal exercises for various ranges as well as dozens of pages of course notes to accompany the videos, Vetro's course is the longest of the BBC ...

  4. Music lesson - Wikipedia

    en.wikipedia.org/wiki/Music_lesson

    Music teachers also assign technical exercises, musical pieces, and other activities to help the students improve their musical skills. While most music lessons are one-on-one (private), some teachers also teach groups of two to four students (semi-private lessons), and, for very basic instruction, some instruments are taught in large group ...

  5. Estill Voice Training - Wikipedia

    en.wikipedia.org/wiki/Estill_Voice_Training

    These figures for voice exercises have a focus basic anatomy and vocal physiology, a knowledge of which helps encourage deductions on reducing constriction and healthy voice decisions. [24] Janice Chapman , the operatic singer, voice teacher and researcher, writes "Estill figures lead to a much greater freedom and flexibility in the demanding ...

  6. Wanna Sing Like Springsteen? Famed Vocal Coach Eric Vetro ...

    www.aol.com/entertainment/wanna-sing-springsteen...

    Sitting, and eventually standing, in front of my computer in my spare bedroom office, I was doing vocal exercises, swaying my head side to side to keep my neck muscles from tensing […]

  7. Mathilde Marchesi - Wikipedia

    en.wikipedia.org/wiki/Mathilde_Marchesi

    Two of the most distinctive features of her teachings were her "analytical method" and her insistence on very short practice times for beginners. Her "analytical method" placed great importance on intellectually understanding both the technical and the aesthetic nature of everything sung, from grand arias to simple vocal exercises.

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