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American Idiot is the seventh studio album by the American rock band Green Day, released on September 21, 2004, by Reprise Records. As with their previous four albums, it was produced by Rob Cavallo in collaboration with the group.
He added that "‘Love Is for Losers’ finds him firmly in control, making his best album since ‘American Idiot’," a notion quoted on the vinyl release of the album. [2] Dave Simpson of Pure Charts commended the album, saying that it "is an utterly entrancing synthesis of punk, rock and pop that features eleven fantastically spunky songs ...
21st Century Breakdown is the eighth studio album by the American rock band Green Day, released on May 15, 2009, through Reprise Records.Green Day commenced work on the record in January 2006 and forty-five songs were written by vocalist and guitarist Billie Joe Armstrong by October 2007, but the band members did not enter studio work until January 2008.
“American Idiot” ushered in a new generation of loyal listeners — in some situations, the children of the initial fans who account for one of the over 10 million sales of their 1994 album ...
The album debuted at number 43 on the Billboard 200, becoming one of the highest-charting musical soundtracks. The album won Best Musical Show Album at the 53rd Annual Grammy Awards. Shortly after the album's release, another album featuring 13 songs from the album was released as American Idiot: Selections from the Original Broadway Cast ...
American Idiot shot Green Day back into the mainstream, spawning several career-defining hits including “Boulevard of Broken Dreams,” “Holiday” and the album’s title track, and it ...
The single debuted at #28 on the Billboard Hot 100 and peaked at #9 the following week; "Canadian Idiot", a parody of Green Day's "American Idiot", also charted, peaking at #82. The album contains three further parodies, based on "Confessions Part II" by Usher, "Do I Make You Proud" by Taylor Hicks, and Trapped in the Closet by R. Kelly.
It was one thing for Green Day to score a No. 1 album, as it did with 2004’s “American Idiot,” a full decade after the scrappy Bay Area punk trio broke out with “Dookie” in 1994.
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