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"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia. In 1808, a slightly revised version changed two lines of the first stanza and omitted last stanza.
The final (4th) movement of the symphony, commonly known as the Ode to Joy, features four vocal soloists and a chorus in the parallel key of D major. The text was adapted from the " An die Freude (Ode to Joy) ", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven.
The Anthem of Europe or European Anthem, also known as Ode to Joy, is a piece of instrumental music adapted from the prelude of the final movement of Beethoven's 9th Symphony composed in 1823, originally set to words adapted from Friedrich Schiller's 1785 poem "Ode to Joy".
It was the piano that often served as a catapult for Beethoven's innovations, [23] in works such as his Op. 1 piano trios and Op. 2 piano sonatas. These works expand the three-movement sonata form found in the sonatas of Mozart and Haydn to four-movements, which is more often associated with orchestral symphonies rather than chamber works or ...
The Fantasy for piano, vocal soloists, mixed chorus, and orchestra, Op. 80, usually called the Choral Fantasy, was composed in 1808 by then 38-year-old Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists ...
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.
"Road to Joy" contains an interpolation of Beethoven's "Ode to Joy". The title of the album is taken from a lyric in this song. Bright Eyes achieved success on the US charts when the singles "Lua" and "Take It Easy (Love Nothing)" (the latter from Digital Ash) took the top two positions on the Billboard Hot Singles Sales
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