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Homeric simile, also called an epic simile, is a detailed comparison in the form of a simile that are many lines in length. The word "Homeric", is based on the Greek author, Homer, who composed the two famous Greek epics, the Iliad and the Odyssey. Many authors continue to use this type of simile in their writings although it is usually found ...
Polyphemus (/ ˌ p ɒ l i ˈ f iː m ə s /; Ancient Greek: Πολύφημος, romanized: Polyphēmos, Epic Greek: [polypʰɛːmos]; Latin: Polyphēmus [pɔlʏˈpʰeːmʊs]) is the one-eyed giant son of Poseidon and Thoosa in Greek mythology, one of the Cyclopes described in Homer's Odyssey.
In order to convey the appropriate message to his friend regarding love, Theocritus must make it clear that there is something to be learned from Polyphemus' example; he does this by referring to the Cyclops as his "countryman," and removes him from the Homeric monster by making him enter adulthood. [17] Virgil imitates Idyll XI in Eclogue II ...
A mosaic depicting Odysseus, from the villa of La Olmeda, Pedrosa de la Vega, Spain, late 4th–5th centuries AD. The Odyssey begins after the end of the ten-year Trojan War (the subject of the Iliad), from which Odysseus (also known by the Latin variant Ulysses), king of Ithaca, has still not returned because he angered Poseidon, the god of the sea.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The poem is generally considered to meet the criteria for an epic; it is considerably long, relating over 250 narratives across fifteen books; [14] it is composed in dactylic hexameter, the meter of both the ancient Iliad and Odyssey, and the more contemporary epic Aeneid; and it treats the high literary subject of myth. [15]
The 1954 Broadway musical The Golden Apple, by librettist John Treville Latouche and composer Jerome Moross, was freely adapted from the Iliad and the Odyssey, resetting the action to America's Washington state in the years after the Spanish–American War, with events inspired by the Iliad in Act One and events inspired by the Odyssey in Act Two.
The painting depicts an incident in the Odyssey, the epic poem by Homer which recounts the Greek hero Odysseus' 10 year long return journey home from the Siege of Troy. A blind giant Cyclops, Polyphemus, is preparing to hurl a large rock at the escaping boat of Odysseus and his crew. Odysseus in return is taunting him from the stern of the vessel.