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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Canon. Ter voce ciemus: Thebana bella for 6 voices: unknown: Summer 1770 89a: 73i "Canon for 4 instruments" — April 1770 228: 515b "Ach! zu kurz" Double canon for 4 voices: unknown: before 24 June 1787 229: 382a "Sie ist dahin" Canon for 3 voices: Ludwig Heinrich Christoph Hölty (1748–1776) 1782 230: 382b "Selig, selig" Canon for 2 voices
Fantasy for quarter-tone piano (1935-36) Five songs for voice with violin accompaniment in quarter-tones to texts by Karel Hynek Mácha (1936, performed at the 1938 ISCM Festival in Paris) 3 Duos for 2 quarter-tone clarinets (1972) Suite for quarter-tone piano (1935-36) Milan Ristić. Duo for violin and violoncello, Op. 11 (1938) [citation needed]
Nevertheless, all songs and dances included in this series are based on folk music from many Eastern Europe countries, but harmonic and rhythmic freedom is evident throughout the whole piece. In 1936, Bartók arranged 6 of these duos for piano, under the title Petite Suite .
A puzzle canon, riddle canon, or enigma canon is a canon in which only one voice is notated and the rules for determining the remaining parts and the time intervals of their entrances must be guessed. [44] "The enigmatical character of a [puzzle] canon does not consist of any special way of composing it, but only of the method of writing it ...
Opus 12: Sonata No. 1 for violin and piano (1943) Opus 13: Children's Songs after I.L. Peretz for singer and piano (1943) Opus 14: String Quartet No. 3 (1944) Opus 15: Sonata No. 2 for violin and piano (1944) Opus 16: Children's Notebook No. 1 for piano (1944) Opus 17: Jewish Songs after Shmuel Halkin (1944) Opus 18: Piano Quintet (1944) Opus ...
"Divertimenti concertanti" for violin and piano (?MS.viN4) [3] " 3 airs variés pour être exécutés sur la quatrième corde seul pour violon avec accompagnement de pianoforte" (3 Varied Airs to be executed on the fourth string alone for violin with piano accompaniment) (G. Carulli) (?MS.vN3) [3] [9]
"36 Études", for violin and piano or for violin solo, Op.48 -Op.2 posthumous; dedicated to the Conservatoire de Paris-(1881) "6 Morceaux" pour violon seul suivis d'un Capriccio pour alto seul, Op.55 -Op.9 posthumous-(pub.1883) No.1 Andante; No.2 Moderato; No.3 Prélude (dedicated to violinist Léon Reynier) No.4 Tempo di minuetto; No.5 Andante
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