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A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. [1] In cruciform (" cross -shaped") churches , in particular within the Romanesque and Gothic Christian church architectural traditions, a transept is an area set crosswise to the nave .
As described above, the majority of cathedrals and great churches are cruciform in shape with the church having a defined axis. The axis is generally east/west with external emphasis upon the west front, normally the main entrance, and internal emphasis upon the eastern end so that the congregation faces the direction of the coming of Christ .
Cathedral floor plan (crossing is shaded) A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.
In Samnanger church for instance, outside corners have been cut to avoid splicing logs, the result is an octagonal floor plan rather than rectangular. [12] The cruciform constructions provided a more rigid structure and larger churches, but view to the pulpit and altar was obstructed by interior corners for seats in the transept.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
As originally built, both upper and lower churches had a simple cruciform plan with an aisle-less nave of four square bays, a square crossing, a transept that projected by half a bay on each side, and an apse, the lower being semicircular and the upper polygonal. To the left of the church stands a free-standing bell tower of Romanesque design.
The cruciform church carries a square tower over its crossing. The transept was built first, then the choir with its ambulatory with five radial chapels in the polygonal apse. In the next building campaign, three bays of the nave were added, the bell tower and its porch, and finally the last six bays of the nave.