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DownBeat was established in 1934 in Chicago, Illinois. [2] In September 1939, the magazine announced that its circulation had increased from "a few hundred five years ago to more than 80,000 copies a month", and that it would change from monthly to fortnightly from the following month. [3]
Brian Charette (born November 24, 1972) is an American jazz pianist, Hammond organist, and electronic music producer. He took first place in the 2014 "Downbeat Magazine Critic's Poll Rising Star: Organ" [1] category and "Fan's Decision Jazz Award for Best Organist 2015" [2] in Hot House Magazine.
Pages in category "DownBeat Jazz Hall of Fame members" The following 173 pages are in this category, out of 173 total. This list may not reflect recent changes. A.
Oklahoma Jazz Hall of Fame, an organization based in Tulsa, Oklahoma; Big Band and Jazz Hall of Fame (1978–2004), a defunct annual recognition in San Diego County, California; DownBeat Jazz Hall of Fame, sponsored by DownBeat magazine since 1952; Nesuhi Ertegun Jazz Hall of Fame, sponsored by Jazz at Lincoln Center
Tiddy Boom [53] was included in Downbeat Magazine's 2014 Albums of the Year [54] and made several Top 10 Jazz Albums of 2014 lists including Jazz Chronicles, [55] The Chicago Reader [56] and Lament for a Straight Line. [57] Hellbent was selected as Album of the Year in 2010 by Andrey Henkin at All About Jazz
For many years Jim Hall was named “Best Jazz Guitarist” by both the Critics and the Readers in annual Downbeat Magazine Polls. His lengthy career has garnered him many laudatory endorsements from around the world, including:
In 2003, he was ranked 49th in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time". [3] In 2009, DownBeat included McLaughlin in its unranked list of "75 Great Guitarists", in the "Modern Jazz Maestros" category. [4] In 2012, Guitar World magazine ranked him 63rd on its top 100 list. [5]
The Quartet toured across America and Europe. In 1967, Lloyd was voted "Jazz Artist of the Year" by DownBeat magazine. [6] Lloyd is given credit for anticipating world music by incorporating music from other cultures into his compositions, as early as the late 1950s. He describes his music as having "danced on many shores". [7]
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