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Composite, S-Video, Component, VGA, HDMI PT-AX1000 November 2006 1080p 16:9 200 in (508cm) 1100 11,000:1 165W UHM Bulb 3LCD: Composite, S-Video, Component, SCART, VGA, HDMI x 2 SCART on the European (E) variant only PT-AX200 October 2007 720p 16:9 200 in (508cm) 2000 6,000:1 220W UHM Bulb 3LCD: Composite, S-Video, Component, VGA, HDMI x 2 PT-AX2000
The largest functional difference of the new models is the ability to record progressive video. The 50 Hz version of the camcorder can shoot 25-frame/s progressive video, recording it within an interlaced stream using the progressive segmented frame technique. The 60 Hz version is able to shoot and record native 24-frame/s progressive video. [20]
Sound & Vision said the player "offers reference-level video performance and also sets a new bar for HDR playback with both HDR flat-panel TVs and projectors." [ 3 ] What Hi-Fi? wrote: "[...] DP-UB820EB has stood the test of time remaining our go-to recommendation for a 4K Blu-ray player that won't blow the budget."
MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording.
MOD video can be viewed on a computer with a player that is capable of reproducing MPEG-2 video. This video can be easily authored for watching on a DVD player without recompression, because it is fully compliant with DVD-video standard. TOD format is comparable with AVCHD, but cannot be directly played on consumer video equipment.
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National was formerly the premier brand on most Matsushita products, including audio and video and was combined in 1988 as National Panasonic after the worldwide success of the Panasonic name. After 1980 in Europe , and 1988 in Australia and New Zealand , Matsushita ceased the usage of the "National" brand, and sold audiovisual products ...
The D-5 digital component video format, introduced in 1993 by Panasonic, uses the D-3 transport and tape running at roughly double D-3 speed. The D-3 transport in turn is derived from the MII transport. D-3/D-5 tapes come in small (161 mm × 96 mm × 25 mm), medium (212 mm × 124 mm × 25 mm), and large (296 mm × 167 mm × 25 mm) cassettes ...
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