Search results
Results from the WOW.Com Content Network
Virgil Finlay (July 23, 1914 – January 18, 1971) was an American pulp fantasy, science fiction and horror illustrator. He has been called "part of the pulp magazine history ... one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time."
The Spell of Seven is an anthology of fantasy short stories in the sword and sorcery subgenre, edited by L. Sprague de Camp and illustrated by Virgil Finlay.It was first published in paperback by Pyramid Books in June 1965, and reprinted in December 1969.
Liberty 5-3000 is a seventeen-year-old agricultural laborer. [13] She works in farming fields on the outskirts of the city and lives with other women assigned to farming in the Home of the Peasants. [14]
Cover of the August 1942 issue, by Virgil Finlay. Munsey's plan for the magazines was laid out in a note that appeared in the first four issues: "This magazine is the answer to thousands of requests we have received over a period of years, demanding a second look at famous fantasies which, since their original publication, have become accepted classics.
Marginalia is a collection of Fantasy, Horror and Science fiction short stories, essays, biography and poetry by and about the American author H. P. Lovecraft.It was released in 1944 and was the third collection of Lovecraft's work published by Arkham House.
Virgil Finlay is a memorial collection of drawings by and appreciations of Virgil Finlay. It was compiled and edited by Donald M. Grant and published in 1971 by Donald M. Grant, Publisher, Inc. in an edition of 1,202 copies.
Virgil Finlay: An Astrology Sketchbook is a collection of drawings by Virgil Finlay. It was published in 1975 by Donald M. Grant, Publisher, Inc. in an edition of 2,000 copies. The book contains astrological art by Finlay with introductions by Beverly C. Finlay and Robert Prestopino.
The dust jacket art was a montage of drawings by Virgil Finlay for Weird Tales magazine, of which only one or two had originally illustrated Lovecraft stories. E. F. Bleiler describes the collection's publication as "the beginning of serious specialist publishing of fantastic fiction in America".