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The Enchiridion on Faith, Hope and Love (also called the Manual or Handbook) is a compact treatise on Christian piety written by Augustine of Hippo in response to a request by an otherwise unknown person, named Laurentius, shortly after the death of Saint Jerome in 420. It is intended as a model for Christian instruction or catechesis. [1]
[15] [16] A structure can be homologous at one level, but only analogous at another. Pterosaur, bird and bat wings are analogous as wings, but homologous as forelimbs because the organ served as a forearm (not a wing) in the last common ancestor of tetrapods, and evolved in different ways in the three
Two major concepts of comparative anatomy are: Homologous structures - structures (body parts/anatomy) which are similar in different species because the species have common descent and have evolved, usually divergently, from a shared ancestor. They may or may not perform the same function. An example is the forelimb structure shared by cats ...
Voltaire called it "the most beautiful, the most useful, the most sublime didactic poem ever written in any language". [6] In 1756, Rousseau wrote to Voltaire admiring the poem and saying that it "softens my ills and brings me patience".
Illustration of the analogy between the human body and a geocentric cosmos: the head is analogous to the cœlum empyreum, closest to the divine light of God; the chest to the cœlum æthereum, occupied by the classical planets (wherein the heart is analogous to the sun); the abdomen to the cœlum elementare; the legs to the dark earthy mass (molis terreæ) which supports this universe.
All vertebrate forelimbs are homologous, meaning that they all evolved from the same structures. For example, the flipper of a turtle or of a dolphin , the arm of a human, the foreleg of a horse, and the wings of both bats and birds are ultimately homologous, despite the large differences between them.
The 300-letter collection detailed the love between soldier Gilbert Bradley and his lover -- who signed the letters with the initial "G". Decades later it was discovered that his pen pal's name ...
The central concern in All Religions are One is the notion of the "Poetic Genius", which is roughly analogous to the imagination. Blake argues that the Poetic Genius is greater than all else and "is the true man."