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Actual font is the digital Bodoni Monotype published in 1999. Bodoni (/ bəˈdoʊni /, Italian: [boˈdoːni]) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [ 1 ][ 2 ] Bodoni's typefaces are classified as Didone or modern.
Many characters have obvious ball terminals, in contrast to the more wedge-shaped serifs of earlier fonts. Most distinctive is the italic, in which the J has a centre-bar and many other italic capitals have flourishes, the 'p' has a tail pointing downwards and to the left (similar to the entrance stroke that would be made with a pen) and the w ...
The "Included from" column indicates the first edition of Windows in which the font was included. Typeface Family Spacing Weights/Styles Target script Included from
Additional serif typefaces. Algerian. Allegro. Arvo. Aurora. Belwe Roman. Book Antiqua (Monotype 's imitation of Palatino) Berkeley Old Style.
Brandon Grotesque is inspired by Futura but with an unusually low x-height, giving it a more elegant appearance for uses such as headings and display settings. [63] Designed by Hannes von Döhren of HVD Fonts, it is the main corporate font of Comedy Central until 2018. [64]
fonts.google.com /specimen /Montserrat. Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires. [1]
Centaur is an elegant and quite slender design, lighter on the page than Jenson's work and most other revivals, an effect possibly amplified in the digital release compared to the metal type. [1] It has been popular in fine book printing and is often used both for printing body text and especially titles and headings. [2]
Didone (typography) Didot's type in the Code civil des Français, printed by the company of Firmin Didot in 1804. Didone (/ diˈdoʊni /) is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century. It is characterized by: Narrow and unbracketed (hairline) serifs.