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Art Deco mascaron above the door of Rue Mademoiselle no. 40, Paris, c.1930. In architecture and the decorative arts, a mascaron ornament is a face, usually human, sometimes frightening or chimeric, whose alleged function was originally to frighten away evil spirits so that they would not enter the building. [1]
Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Mead was skilled in drawing at a young age. According to Mead, "by the time I was in high school I could draw the human figure, I could draw animals, and I had a sense of shading to show shape. I was really quite accomplished at that point with brush technique and so-forth." He described himself as being an "insular child."
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Some figures were created to strip away the layers of muscles and reveal the skeleton of the model. Many of the life-size scale écorché figures were reproduced in a smaller scale out of bronze that could be easily distributed. [6] Écorché figures were commonly made out of many different materials: bronze, ivory, plaster, wax, or wood. By ...
Ram Raz (1834) Essay on the Architecture of the Hindus, Royal Asiatic Society of Great Britain and Ireland. A scholarly review of this source: Madhuri Desai (2012), Interpreting an Architectural Past Ram Raz and the Treatise in South Asia, Journal of the Society of Architectural Historians, Vol. 71, No. 4, pages 462-487
There are everyday examples of hidden faces, they are "chance images" including faces in the clouds, figures of the Rorschach Test and the Man in the Moon. Leonardo da Vinci wrote about them in his notebook: "If you look at walls that are stained or made of different kinds of stones you can think you see in them certain picturesque views of mountains, rivers, rocks, trees, plains, broad ...
In architecture, a grotesque (/ ɡ r oʊ ˈ t ɛ s k /) is a fantastic or mythical figure carved from stone and fixed to the walls or roof of a building. A chimera ( / k aɪ ˈ m ɪər ə / ) is a type of grotesque depicting a mythical combination of multiple animals (sometimes including humans). [ 1 ]