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Two women playing male roles in Song dynasty zaju theatre. Women playing male role was a popular convention of the period. During the Song dynasty, foot binding also became popular among the elite, later spreading to other social classes. The earliest known references to bound feet appeared in this period, and evidence from archaeology also ...
The poetry of the Qing dynasty is a lively field of research, being studied (along with the poetry of the Ming dynasty) for its association with Chinese opera, developmental trends of Classical Chinese poetry, the transition to a greater role for vernacular language, and for poetry by women. The Qing dynasty was a period of literary editing and ...
Qiu Jin was known as an eloquent orator [17] who spoke out for women's rights, such as the freedom to marry, freedom of education, and abolishment of the practice of foot binding. In 1906 she founded China Women's News (Zhongguo nü bao), a radical women's journal with another female poet, Xu Zihua in Shanghai. [18]
Despite a long-held belief in pre-modern China that women lacked literary talent, women's works – particularly poetry – did win a degree of respect within Chinese literature during the Imperial period. During the first half of the 20th century, writing by women reflected feminist ideas and the political upheavals of the time.
In 1912 the Women's Suffrage Alliance, an umbrella organization of many local women's organizations, was founded to work for the inclusion of women's equal rights and suffrage in the constitution of the new republic after the abolition of the monarchy, and while the effort was not successful, it signified an important period of feminism ...
The date of the Step-Empress's birth is a matter of debate, with the book Four Genealogies of the Qing Royal House stating that she was born some time in the second lunar month of an unknown year, [11] and at least one modern book stating that she was born on the 10th day of the 2nd month of the 57th year of Kangxi Emperor's reign.
Little did the prolific, 68-year-old author realize that would lead directly to one of her most meticulously researched, fascinating and ultimately enjoyable works, “Lady Tan’s Circle of Women.”
Writing for The Diplomat, Chauncey Jung writes that these revisions to the civil code complete a transition from the women hold up half of the sky era in which, at least rhetorically, China was one of the most progressive nations in the world in terms of women's rights to more regressive era of "strong family values for a harmonious society". [65]