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Style in men's and women's footwear was the same in this period. Shoes for men and women were flat, and often slashed and fastened with a strap across the instep. They were made of soft leather, velvet, or silk. Broad, squared toes were worn early, and were replaced by rounded toes in the 1530s.
With England and France mired in the Hundred Years War and its aftermath and then the English Wars of the Roses through most of the 15th century, European fashion north of the Alps was dominated by the glittering court of the Duchy of Burgundy, especially under the fashion-conscious power-broker Philip the Good (ruled 1419–1469).
Women wore linen headdresses or wimples and veils, c. 1250. Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.
A fashion in men's clothing for the dark furs sable and marten arose around 1380, and squirrel fur was thereafter relegated to formal ceremonial wear. [14] Ermine, with their dense white winter coats, was worn by royalty, with the black-tipped tails left on to contrast with the white for decorative effect, as in the Wilton Diptych above.
The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678 . Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
In this period, men's fashion plates show the lowered waistline taking on a decided point at the front waist, which was accompanied by a full rounded chest. Prince Albert (husband of Queen Victoria) had a high influence on male fashion, primarily because of his young age at the time of his wife's coronation, and his great attention to his ...
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
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