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Gerda Marie Fredrikke Wegener (née Gottlieb; 15 March 1885 – 28 July 1940) was a Danish illustrator and painter. Wegener is known for her fashion illustrations and later her paintings that pushed the boundaries of her time concerning gender and love.
Gerda Gottlieb, 1904 Elbe c. 1920. Elbe met Gerda Gottlieb while they were students at the Royal Danish Academy of Fine Arts in Copenhagen, [22] and they married in 1904 when Gottlieb was nineteen and Elbe twenty-two. [23] Gerda came from a conservative family, as her father was a vicar in the Lutheran church. [24]
It wasn't until Wegener posed for a painting by her wife and fellow artist, Gerda Gottlieb, that she realized she was Lili Elbe. Subsequent to her discovery, Elbe began spending less time creating ...
Gottlieb Bodmer (1804–1837) Arvid Boecker (born 1964) Pedro Boese (born 1972) Corbinian Böhm (born 1966) Hans Bohrdt (1857–1945) Christian Ludwig Bokelmann (1844–1894) Hanns Bolz (1885–1918) Friedrich von Bömches (1916–2010) Paula Bonte (1840–1902) Hinrik Bornemann (c. 1450–1499) Friedrich Boser (1811–1881) Harald Julius von ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1940, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .
Portrait of Laura by Gottlieb, 1877. Laura Henschel-Rosenfeld (25 December 1857 – April 1944), was a Jewish Czech educator, writer, and fiancée of Maurycy Gottlieb, until she rejected him for another suitor. Henschel-Rosenfeld appears in some of Gottlieb's most famous paintings.
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
The Ten, also known as The Ten Whitney Dissenters, were a group of New York–based artists active from 1935 to 1940. [1] [a] Expressionist in tendency, the group was founded to gain exposure for its members during the economic difficulty of the Great Depression, and also in response to the popularity of Regionalism which dominated the gallery space its members sought.
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