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Sino-Japanese vocabulary, also known as kango (Japanese: 漢語, pronounced, "Han words"), is a subset of Japanese vocabulary that originated in Chinese or was created from elements borrowed from Chinese. Most Sino-Japanese words were borrowed in the 5th–9th centuries AD, from Early Middle Chinese into Old Japanese. Some grammatical ...
Sino-Xenic vocabularies are large-scale and systematic borrowings of the Chinese lexicon into the Japanese, Korean and Vietnamese languages, none of which are genetically related to Chinese. The resulting Sino-Japanese , Sino-Korean and Sino-Vietnamese vocabularies now make up a large part of the lexicons of these languages.
The Dai Kan-Wa Jiten (大漢和辞典, "The Great Chinese–Japanese Dictionary") is a Japanese dictionary of kanji (Chinese characters) compiled by Tetsuji Morohashi. Remarkable for its comprehensiveness and size, Morohashi's dictionary contains over 50,000 character entries and 530,000 compound words .
According to the Han Shu, this was the first textual reference made to Japan in reference to Sino-Japanese interaction. Another Chinese source that documents Chinese influence on Japanese culture is Wei Chih, written in 297 AD (also known as History of Wei). It states that Chinese and Japanese interactions of tribute originates back to 57 and ...
In Chinese, characters for the elements are the last officially created and recognized characters in the Chinese writing system.Unlike characters for unofficial varieties of Chinese (e.g., written Cantonese) or other now-defunct ad hoc characters (e.g., those by the Empress Wu), the names for the elements are official, consistent, and taught (with Mandarin pronunciation) to every Chinese and ...
In the tables, the first two columns contain the Chinese characters representing the classifier, in traditional and simplified versions when they differ. The next four columns give pronunciations in Standard (Mandarin) Chinese, using pinyin; Cantonese, in Jyutping and Yale, respectively; and Minnan (Taiwan). The last column gives the classifier ...
The most common example is the symbolism and unique language of flora and fauna depictions. Within East Asian poetry, the strong penchant to employ visceral imagery that heavily incorporates naturalistic themes reflects a shared literary style which can be seen in Chinese poetry, Japanese imperial anthologies and Korean sijo poetry. [4]
Kanbun, literally "Chinese writing," refers to a genre of techniques for making Chinese texts read like Japanese, or for writing in a way imitative of Chinese. For a Japanese, neither of these tasks could be accomplished easily because of the two languages' different structures. As I have mentioned, Chinese is an isolating language.