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In 1958, Badanelli wrote, in his book Perón, La Iglesia y un Cura, that he rejected the idea of an Argentine state religion similar to the Church of England, and denied the rumour that in 1960 ICAB Bishop Carlos Duarte Costa clandestinely consecrated him in Buenos Aires.
The Brazilian Catholic Apostolic Church (Portuguese: Igreja Católica Apostólica Brasileira, pronounced [iˈɡɾeʒɐ kaˈtɔlikaposˈtɔlikɐ bɾaziˈlejɾɐ]; ICAB) is an Independent Catholic Christian church established in 1945 by excommunicated Brazilian Catholic bishop Carlos Duarte Costa.
The church is identified in Spanish as both Iglesia Ortodoxa Católica Apostólica Mexicana (Spanish for Mexican Orthodox Apostolic Catholic Church) and Iglesia Católica Apostólica Mexicana (Spanish for Mexican Catholic Apostolic Church); [2] [4]: 439 [5] [6] [b] in English it also known as the Old Mexican Roman Catholic Church, [7]: 28 [4]: 439 and the Mexican National Catholic Church.
A modern dos-à-dos binding. In bookbinding, a dos-à-dos binding (/ d oʊ s iː d oʊ / or / d oʊ s eɪ d oʊ /, from the French for "back-to-back") is a binding structure in which two separate books are bound together such that the fore edge of one is adjacent to the spine of the other, with a shared lower board between them serving as the back cover of both.
Location; Country: Argentina: Ecclesiastical province: Corrientes: Metropolitan: Corrientes: Statistics; Area: 17,000 km 2 (6,600 sq mi): Population- Total- Catholics ...
The Carey Bible was an edition of the English-language Douay–Rheims translation of the Bible published by Mathew Carey (1760–1839) beginning in 1789. It was the first Roman Catholic version and only the second English-language translation of the Bible printed in the United States.
This translation was known as the "Biblia del Oso" (in English: Bear Bible) [1] because the illustration on the title page showed a bear trying to reach a container of honeycombs hanging from a tree. [2] Since that date, it has undergone various revisions, notably those of 1865, 1909, 1960, 1977, 1995, [3] 2004, 2011, and 2015.
In late 2013 it was on temporary display at the Prado in Madrid (with the other El Grecos), following a period of cleaning and conservation work there; it was returned to Toledo in 2014. It is one of El Greco's most famous works. [1] A document dated July 2, 1577 which refers to this painting is the earliest record of El Greco's presence in Spain.