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In his notes accompanying the full set of recordings of Prokofiev's sonatas by Boris Berman, David Fanning states the following: . Whether the restrained, even brooding quality of much of the Fourth Sonata relates in any direct way to Schmidthof's death is uncertain, but it is certainly striking that the first two movements both start gloomily in the piano's low register.
Sunday" is a 1926 song written by Chester Conn, with lyrics by Jule Styne, Bennie Krueger, and Ned Miller, which has become a jazz standard recorded by many artists. The tune has been fitted out to various lyrics, but best known in the original version of British-American songwriter Jule Styne : "I'm blue every Monday, thinking over Sunday ...
In the Middle Ages, simultaneous notes a fourth apart were heard as a consonance.During the common practice period (between about 1600 and 1900), this interval came to be heard either as a dissonance (when appearing as a suspension requiring resolution in the voice leading) or as a consonance (when the root of the chord appears in parts higher than the fifth of the chord).
Bach used as a basis for the music a cantata in six movements that he had written in Weimar for the fourth Sunday in Advent 1716, Herz und Mund und Tat und Leben, BWV 147a. [4] As Leipzig observed tempus clausum (time of silence) during Advent, allowing cantata music only on the first Sunday, Bach could not perform the cantata for the same ...
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
Bach wrote the cantata in his first year in Leipzig for the Fourth Sunday after Epiphany. A fourth Sunday after Epiphany is rare and occurs only in years with a late date of Easter. [2] The prescribed readings for the Sunday were taken from the Epistle to the Romans, love completes the law (Romans 13:8–10), and from the Gospel of Matthew ...
When the Cowboy Church Sunday School version is played at normal speed, the vocals sound unnaturally high. When played at 33⅓ rpm instead of 45 rpm the vocals sound more natural. The song was recorded at that speed, by Stuart Hamblen's wife and adult daughter, so that when played at 45 rpm the song sounds as if it is being sung by children.
Rachmaninoff's Works for Piano and Orchestra An analysis of Rachmaninoff's Works for Piano and Orchestra including the Piano Concertos and the Paganini Rhapsody; An interview with Vladimir Ashkenazy about the manuscript version of the Fourth Concerto; Piano Concerto No. 4 Free scores at the International Music Score Library Project
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