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James Turrell (born May 6, 1943) is an American artist known for his work within the Light and Space movement. [1] He is considered the "master of light" [2] often creating art installations that mix natural light with artificial color through openings in ceilings thereby transforming internal spaces by ever shifting and changing color.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Stephen Knapp (October 15, 1947 – November 24, 2017) [1] was an American artist best known for his use of the medium of lightpainting.A native of Worcester, Massachusetts, he gained an international reputation for large-scale works of art held in museums, public, corporate, and private collections, which are executed in media as diverse as light, kiln-formed glass, metal, stone, mosaic, and ...
Mary Corse (born 1945) is an American artist who lives and works in Topanga, California.Fascinated with perceptual phenomena and the idea that light itself can serve as both subject and material in art, Corse's practice can be seen as existing at a crossroads between American Abstract Expressionism and American Minimalism. [3]
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
The original ceiling painting was by Pier Matteo d'Amelia, and had depicted stars over a blue background [7] like the ceiling of the Arena Chapel decorated by Giotto at Padua. [8] For six months in 1504, a diagonal crack in the chapel's vault had made the chapel unusable, and Pope Julius II (Giuliano della Rovere) had the damaged painting ...
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