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"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The song's jazz popularity was established by Benny Goodman's 1941 recording with singer Peggy Lee. Coleman Hawkins made a popular jazz version in 1943, and Charlie Parker recorded it as a ballad in 1947. [60] "I Don't Stand a Ghost of a Chance with You" [4] [61] [62] was composed by Victor Young with lyrics by Bing Crosby and Ned Washington ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
This is a list of music genres and styles.Music can be described in terms of many genres and styles. Classifications are often arbitrary, and may be disputed and closely related forms often overlap.
"Misty" is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it on July 27, 1954 [2] for the album Contrasts. Lyrics were added later by Johnny Burke.
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".
Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, [2] but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most recorded jazz standards, and multiple lyrics have been written for it.
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