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"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The song's jazz popularity was established by Benny Goodman's 1941 recording with singer Peggy Lee. Coleman Hawkins made a popular jazz version in 1943, and Charlie Parker recorded it as a ballad in 1947. [60] "I Don't Stand a Ghost of a Chance with You" [4] [61] [62] was composed by Victor Young with lyrics by Bing Crosby and Ned Washington ...
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...
This list is split into four separate pages: List of styles of music: A–F; List of styles of music: G–M; List of styles of music: N–R; List of styles of music: S–Z; List of country genres; List of electronic music genres; Styles of house music; List of industrial music genres; List of trance genres; List of hip hop genres; List of jazz ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
"Misty" is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it on July 27, 1954 [2] for the album Contrasts. Lyrics were added later by Johnny Burke.
In a multi-section song form, such as AB or AABA, the first section. In 32-bar AABA form, the first A section is the first eight bars, and it contains the main melody. accordion. A free-reed instrument with two keyboards played with the hands, in which the sound is produced by pumping a bellows.