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  2. 12 equal temperament - Wikipedia

    en.wikipedia.org/wiki/12_equal_temperament

    12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).

  3. Twelve-tone equal temperament - Wikipedia

    en.wikipedia.org/wiki/Equal_temperament

    12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.

  4. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    This phenomenon gives rise to infinite shades of key-colors, which are lost in the modern standard version: 12-tone equal temperament (12-TET). Unlike meantone temperament , which alters the fifth to "temper out" the syntonic comma, 12-TET tempers out the Pythagorean comma , thus creating a cycle of fifths that repeats itself exactly after 12 ...

  5. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.

  6. Piano key frequencies - Wikipedia

    en.wikipedia.org/wiki/Piano_key_frequencies

    This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.

  7. 72 equal temperament - Wikipedia

    en.wikipedia.org/wiki/72_equal_temperament

    Although the 72 equal temperament is based on irrational intervals (see above), as is the 12 tone equal temperament (12 EDO) mostly commonly used in Western music (and which is contained as a subset within 72 equal temperament), 72 equal temperament, as a much finer division of the octave, is an excellent tuning for both representing the ...

  8. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    Twelve-tone equal temperament (12 TET) is obtained by making all semitones the same size, with each equal to one-twelfth of an octave; i.e. with ratios 12 √ 2 : 1. Relative to Pythagorean tuning , it narrows the perfect fifths by about 2 cents or ⁠ 1 / 12 ⁠ th of a Pythagorean comma to give a frequency ratio of 2 7 / 12 : 1 {\displaystyle ...

  9. Regular diatonic tuning - Wikipedia

    en.wikipedia.org/wiki/Regular_diatonic_tuning

    As shown in the figure at right, the tonally valid tuning range of the syntonic temperament includes a number of historically important tunings, such as the currently popular 12-tone equal division of the octave (12-edo tuning, also known as 12-toneequal temperament”), the meantone tunings, and Pythagorean tuning.