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The Litany of the Blessed Virgin Mary is a Marian litany originally approved in 1587 by Pope Sixtus V.It is also known as the Litany of Loreto (Latin: Litaniae lauretanae), after its first-known place of origin, the Shrine of Our Lady of Loreto (Italy), where its usage was recorded as early as 1558.
He composed his first litany, K. 109, dated May 1771, in the spirit of the Italian music he had encountered on his trip. [2] It is a setting of the Marian litany Litaniae Lauretanae (Litany of Loreto, or Litany of the Blessed Virgin Mary).
There are two approved Marian litanies in the Western Church: the Litany of Loreto, and the Litany for the Coronation of Images of the Blessed Virgin Mary, which can be an appropriate substitute for the other litany on certain occasions. [1]
The Litany of the Blessed Virgin Mary (also known as the Litany of Loreto) The Litany of Saint Joseph; The Litany of the Saints; The Litany (in Divine Worship: The Missal Appendix 8) For all of them the 2004 Enchiridion Indulgentiarum grants the partial indulgence to the faithfuls of Christ who piously pray the Litanies. [11]
Litany of the Blessed Virgin Mary; Litany of the Holy Name of Jesus; Litany of the Most Precious Blood of Jesus; Litany of the Sacred Heart of Jesus; Litany of the ...
Hymns to Mary began to flourish with the growing veneration of the Virgin Mary in the 11th and 12th centuries, and the Ave Maria became well established. [14] Marian hymns in the Western Church grew even faster during the 13th century as the Franciscans began to compose a number of lasting hymns.
Our Lady´s chapel in Altenmarkt. Fresco illustrating the Lauretan litany "Mary, you saviour of sinners". Refugium Peccatorum (Latin for Refuge of Sinners), also known as Our Lady of Refuge, is a title for the Blessed Virgin Mary in the Catholic Church. [1] Its use goes back to Saint Germanus of Constantinople in the 8th century. [2]
The Litany to the Virgin Mary (Polish: ''Litania do Marii Panny), Op. 59, is a sacred choral composition by Karol Szymanowski, written from 1930 to 1933 and scored for soprano soloist, a women's choir, and orchestra. The work is divided into two movements on a Polish text of the Litany to the Virgin Mary by Jerzy Liebert.